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    • 廣告英語(yǔ)語(yǔ)言特色

      前言:本站為你精心整理了廣告英語(yǔ)語(yǔ)言特色范文,希望能為你的創(chuàng)作提供參考價(jià)值,我們的客服老師可以幫助你提供個(gè)性化的參考范文,歡迎咨詢。

      廣告英語(yǔ)語(yǔ)言特色

      摘要

      廣告,顧名思義就是廣而告之。作為一種宣傳和傳播信息模式,廣告的作用不容忽視,因?yàn)樗粌H只是一種說(shuō)服顧客進(jìn)行消費(fèi)的技巧,更重要的是,它已逐漸成為社會(huì)交流的必須手段之一。本文通過對(duì)大量英語(yǔ)廣告實(shí)例進(jìn)行分析,并參照國(guó)外著名廣告人GuyCook等的理論,詳細(xì)剖析了廣告英語(yǔ)的語(yǔ)言特點(diǎn)。

      廣告在我們今天的社會(huì)幾乎是無(wú)孔不入,它的傳播介質(zhì)多種多樣,包括報(bào)紙、雜志、電視、廣播、網(wǎng)絡(luò)等。廣告具有鮮明的目的性,即說(shuō)服顧客進(jìn)行購(gòu)買,這種目的性決定了其語(yǔ)言的特色性風(fēng)格,使其獨(dú)立于其它文體,在語(yǔ)言學(xué)范疇內(nèi)值得研究。本文選定英語(yǔ)這一全球普遍使用的語(yǔ)言,就其應(yīng)用于廣告領(lǐng)域而產(chǎn)生的一些語(yǔ)言學(xué)特點(diǎn)和廣告本身的社會(huì)性特點(diǎn)進(jìn)行深入分析,希望能對(duì)相關(guān)領(lǐng)域的研究有一定的借鑒作用和參考價(jià)值。

      本文共分為五章,第一章追溯了廣告的起源,對(duì)廣告的分類、作用及定義做了簡(jiǎn)單概要;第二章介紹了廣告和文體學(xué)的基本定義,廣告中,文字和圖像的完美結(jié)合取決于創(chuàng)意和所用媒體,但它們共同組成了廣告語(yǔ)言;第三章從句法學(xué)、修辭學(xué)、詞匯學(xué)等理論切入,用大量例子分析了廣告英語(yǔ)的語(yǔ)言特點(diǎn),并從語(yǔ)篇分析的角度對(duì)其語(yǔ)言特點(diǎn)進(jìn)行了剖析;在語(yǔ)篇分析的章節(jié)中,引用了GuyCook的語(yǔ)篇分析模型,并引入了廣告問題研究領(lǐng)域新近提出的“文章關(guān)聯(lián)性”等概念;第四章結(jié)合了第三章的觀點(diǎn),通過具體英語(yǔ)廣告實(shí)例對(duì)標(biāo)題中的用詞、句子結(jié)構(gòu)、稱謂模式、修辭格進(jìn)行了闡述,分析了廣告語(yǔ)言對(duì)廣告效果的影響;最后一章指出了廣告英語(yǔ)發(fā)展的口語(yǔ)化和簡(jiǎn)單化趨勢(shì)及其目前存在的模糊性語(yǔ)言特點(diǎn),揭開了廣告華麗詞藻下所掩蓋的非真實(shí)的廣告氛圍,批判了其模糊性誤導(dǎo)消費(fèi)者的消極一面。

      關(guān)鍵詞:廣告;廣告英語(yǔ);語(yǔ)言特點(diǎn)

      Abstract

      Asawayofpropagatingandtransmittinginformation,advertising’sroleconnotbeunderestimatedbecauseitisnotonlyanartfultechniqueinpersuadingpeopletobuy,butalsograduallyhasbecomeamustforsocialcommunicationwhichinturninfluencesthedevelopmentofsocietyandeconomy.ThepurposeofthispaperistostudythelinguisticfeaturesandsociologicalfeaturesofadvertisingEnglish,inthehopetohelpcopywritersathomemarketsintheircreatingprocess.

      Nowadaysadvertisinghaspenetratedintoeverycornerofourlifeasitstransmittingmediainmanyforms:newspaper,magazine,TV,radioaswellasnetwork.Thegoalofadvertisingdecidesitslanguagetobesimpleanddirect,distinctfromthecharacteristicsofotherdiscourses.ThusananalysisonthelinguisticfeaturesofadvertisingEnglishinthelinguisticfieldisworthwhile.Undersuchcircumstances,astudyonthelinguisticfeaturesofadvertisingEnglishwillhavepracticaleffectsonthecomposingandtranslatingworkofthecopywriters.

      Thewholepaperisdividedintofivechapters.Thefirstchaptertracesbacktheoriginofadvertisingandabriefintroductionontheclassifications,rolesanddefinitionsofadvertisingispresentedforthelaterdiscussion.

      Thesecondchapterintroducesthetheoryofadvertisementsandstylistics,theprecisebalanceofwords(eitherspokenorwritten)andpicturesisdeterminedbythecreativeconceptandthemediumused,butthecombinationofimagesandwordsmakesupthelanguageofadvertising.

      Thethirdchapterstartsfromthetheoriesinsyntax,lexicology,rhetoricandendswiththelinguisticfeaturesanalyzedinthefieldofdiscourseanalysis.

      ThefourthchaptercombinestheviewpointsfromthepreviouschapterthirdandexplorestheeffectoftheadvertisingEnglishasawholeadvertisingprocess.Thelastchapter,alsotheconclusionpart,showsthatthoughadvertisinglanguageappearstobefloweryandrefined,itscontentisnobetterthancommonestlanguagecouldconvey.Byexposingthevarioustechniquesadvertisershaveemployedintheirwriting,thisparthopestoremindconsumersthatadvertisingEnglishisgraduallyattainingthenegativeandambiguousroleinguidingpeopletobuy.

      Keywords:Advertising,AdvertisingEnglish,LinguisticFeatures

      Chapter1Introduction

      NootherstatementcouldhavesummedupthecharmofadvertisementthanwhatAldousHuxleyhascommented.Ashehassaidadvertisementasaliteraryformisthemostexciting,themostarduousliteraryformofall,andthemostpregnantincuriouspossibilities.Inhiscommentheassertedadvertisementisaliteraryformandthecopywritingprocessisthedelightfulandsalubriousexerciseforthemind.Butallinall,whatisadvertising,andwhatmakesitunique?

      1.1HistoryofAdvertisement

      Advertisementemergedfromthewombofcommodityproductionandexchange.Theconditionfortheexistenceofadvertisingis“atleastasegmentofthepopulationmustliveabovethesubsistencelevel”.Whenthissituationoccursitalsobecomesnecessaryfor“theproducersofmaterially‘unnecessary’goodstodosomethingtomakepeoplewanttoacquiretheircommodities.”(VestergaardandSchroder4)

      Theembryonicformofadvertisingintheworldisstreetcries,whichexisteventoday.AdvertisingwasnotunknowninancientGreeceandRome,butadvertisingaswerecognizeitdidnotstartuntiltheseventeenthcenturyintheWest.Itwasataboutthistimethatnewspaperbegantocirculate.Beforethat,itisprintingwhichwasfirstinventedinChinaandthenintroducedtotheWestthatplayedavitalroleintheproductionofprintadvertising.“Classified”(smallads)typesofadvertisingweredominantbeforethenineteenthcenturyandstyleandlanguageusedinadsatthattimetendedtobedirectandinformative.TheindustrialRevolution,whichbeganinEnglandinthemid-1700sandreachedtheUnitedStatesbytheearly1800s,facilitatedmass-productionofgoods.Meanwhileadvertisingbecamemoreandmoreimportantintheindustrialmarket.Thegreatbreakthroughforadvertisingcameonlyinthelatenineteenthcentury.Technologyandmass-productiontechniqueswerethensufficientlydevelopedformorefirmstobeabletoturnoutproductsofroughlythesamequalityandatroughlythesameprice.Thisbroughtonacrisisofover-productionandunderconsumptionwhichmeantthatthemarketneededtobestimulatedbyadvertising.Atthistimeadvertisingchangeditsfunctionfromproclamationtopersuasion.Inthetwentiethcentury,advertisingdevelopedrapidlyalongsidetheadventofnewmedia-radioandtelevisioninsuccession.

      AccordingtoRichardPollay’scontentanalysisoftwothousandprintadsfromtenleadingmagazinesintheUSA,adshaveprogressivelyturnedtowardstheemotionalratherthantheinformativeapproachandthereisashiftseeinghumannatureasrationaltoseemingitasemotional.

      TodayinChina,whileoureconomicstructureisshiftingfromtheentirelyplannedeconomytothesocialistmarketeconomysystem,advertisingisbecomingmoreandmoreactiveandsophisticated.In1992,China’sadvertisingexpenditurereached$862million,amongthefastestgrowingcountriesinAsia.ThisyearwiththeentryofChinaintoWTO,thisexpenditurefigurewillundoubtedlyriseup,whichwillsupporttheviewthatadvertisingisanindispensablemeansforprovidingtheinformationthatallmarket-orientedindustrializedsocietiesneedfortheireconomiestofunctionefficiently.

      1.2ClassificationsofAdvertising

      Advertisingmaybeclassifiedbymedium(newspaper,magazine,radio,television).Bytargetaudience(consumer,industrial,business),bygeography(international,national,regional,local),orbyitsfunctionorpurpose(productornon-product,commercialornoncommercial,primarydemandorselectivedemand,directactionorindirectaction).

      BecauseitisdifficulttogainaccesstoenoughdateforEnglishcommercialsandadsonradioorTV,thus,thesubjectofthisresearchpaperwillmainlyconcentrateontheprintadvertising.

      1.3RolesofAdvertising

      Anadvertiser’smainpurposeistopresentandexhibitproductorservice,andtospreadtheinfluenceandcoverageofwhichtotheextentthatthepotentialpurchasingpopulationbecomesrealandactual.Simplyput,advertiserstrybythevariousmeansattheirdisposaltogetpeopletobuytheproductorserviceadvertised.Moreover,advertiserswantpotentialpurchaserstoconsiderwhatisadvertisedtotheexclusionofallothersimilarproductsorservices.Theythereforeattempttoconstructanadvertisementthatwillfullyinvolvetheattentionofthepotentialpurchaserandwhichwillhaveapersuasiveeffect.Advertisersthuscreateasemioticworldinordertopersuadetheiraudienceofessential“rightness”ofpurchasingtheproductorserviceadvertised.

      1.4DefinitionsofAdvertising

      Afterabriefintroductionoftheclassificationsandrolesofadvertising,wenowcometothedefinitionsofadvertising.Fromdifferentperspectivesorpurposes,thedefinitionsmightalsovary.InEnglish,theword“advertise”hasitsoriginin“advertere”inLatin,meaning“toinformsomebodyofsomething”,“tobringintonotice”or“todrawattentiontosomething”,etc.InChinese,theequivalentterm“guanggao”means“widelyannounce”.

      Thefatherofmodernadvertising,AlbertLaskersaidthatadvertisingwas“salesmanshipinprint”.Althoughthedefinitionwasgivenlongbeforetheadventofradioandtelevision,andthenatureandscopeofadvertisingatthattimewereconsiderablydifferentthantheyaretoday,thisoften-repeatedsayingindicatesthattheultimateobjectiveofadvertisingistosell.Obviouslyitisnotaworkingdefinitionbecausewecannotuseittocoveralladvertisements.Today,awidelyquotedworkingdefinitionofadvertisingwasputforwardbyCourtlandL.BoveeandWilliamF.Arens:”Advertisingisthenonpersonalcommunicationofinformation,usuallypaidforandusuallypersuasiveinnature,aboutproducts(goodsorservices)orideasbyidentifiedsponsorsthroughvariousmedia.”(Cook,Guy.TheDiscourseofAdvertising.London:Routledge,1992)

      AnotherlinguistBolendefinesadvertisingasa“Paid,non-personalcommunicationthroughvariousmassmediabybusinessfirms,nonprofitorganizations,andindividualswhoareinsomewayidentifiedinthemessageandwhohopetoinformorpersuademembersofaparticularaudience.”(Carter,RonaldandGoddard,Angela,ReahDanutaetal.WorkingwithTexts.London:Routledge,1997)

      Ifthedefinitionsofadvertisingweretoovagueandabstracttocomprehend,afewwordsofitsfunctionwouldhelptoclarifythiscrucialterm.Broadlyspeaking,advertisementshaveatleastoneoftwofunctions:informingorpersuading,althoughoverlapmayoftentakeplaceinonesinglepiece.Thetrickhereisthataninformativeadvertisementinforms“thecustomeraboutgoods,services,orideasandthentellshowtogetthemmeansofanidentifiedsponsor”(Bolen6).Examplesofinformativeadvertisementsarenotafew,rangingfromflyerstoinsertionsinmagazineandnewspapers,allofthataimtoadvertisenewproducts/servicesorspecialpricesoncertainproducts/services.Thistypeofadvertisementgivesbasic,factualinformationandsometimesshowsaphotosoranillustrationoftheproduct/servicetogivethetargetaudienceabetterviewabouttheadvertisedproduct.

      Persuasiveadvertisementsarethustheinstrumentsusedbyadvertisers“whohavedefinedtheirtargetaudiencesanddeterminedtheeffecttheyhopetoachievethroughpersuasiveadvertisementsinthemedia”(Bolen9).Andapersuasiveadvertisementshouldtrytopersuadethepotentialcustomerstobuythenewproduct.(Bolen6)Thepersuasivefunctionisnotonlylimitedtoattractingthepotentialcustomerintobuyingacertainobject,butalsoincludingthesellingofservices,ideas,normsandvalues.

      Tosummarize,wewouldgettheideathatfirstlyadvertisingisacommunicationprocess.Secondly,atleastamediumisused.Thirdly,thiscommunicationprocesshasadefinitepurposetoconvincethetargetaudience.Theabovethreecharacteristicssuggestadvertisingiscloselyconnectedwiththesociety,employingitsmedia,interconnectingwithitspeopleandguidingtheirbuyinghabit.Alsoinachievingtheadvertisingeffect,theadvertisinglanguageshouldbevividandattractive,whoselinguisticcharacteristicswouldbecoveredintheChapter3.

      Chapter2TheoreticalBackground

      .1Advertisement

      2.1.1DefinitionandGoal

      Advertisingisthepaid,impersonalcommunicationofinformationaboutproductsorideasbyanidentifiedsponsorthroughmassmediainanefforttopersuadeorinfluencebehavior.Notalladvertisingisalike.Advertisementsdifferdependingonwhothemessageisintendedfor,wheretheadvertisementisshown,whichmediaareused,andwhattheadvertiserwantstoaccomplish.(seeTable2.1)

      Table2.1

      Advertisingcanbeclassifiedinfourways:bytarget,geographicarea,mediaused,andpurpose.

      ByTarget

      ByGeographicArea

      ByMediaUsed

      ByPurpose

      Audience

      Consumer

      Business:

      Industrial

      TradeProfessional

      Agriculture

      International

      National

      Regional

      Local

      Print:

      Newspaper

      Magazine

      Electronic:

      Radio

      Television

      Internet

      Out-of-home:

      Outdoor

      Transit

      Directmail

      Directories

      Othermedia

      Productiveornonproductive

      Commercialornoncommercial

      Primarydemandorselectivedemand

      Directactionorindirectaction

      Thepurposeofcopywritingistopersuadeorremindpeopletotakesomeactiontosatisfyaneedorwant.Butfirstpeopleneedtobemadeawareoftheproblemor,iftheproblemisobvious,ofasolution.Tocreateawareness,thecopywritermustfirstgetpeople’sattention—forexample,byusinglargetypeandprovocativevisuals.Next,thecopywritermuststimulatetheprospect’sinterestintheproductandbuildcredibilityfortheproductclaims.Thenthecopywriterfocusesongeneratingdesireandfinallyonstimulatingaction.Thesefiveaspectsshouldbepresentineveryadvertisementorcommercial.

      Hereistheadvertisingpyramid.

      2.1.2ElementsofanAdvertisement

      Asonewillsee,anyadvertisementismadeupofseveralelements.Mostadvertisementsusedallofthem.Theyincludetheheadlineordisplayline;theillustration;thebodycopyortext;thethemelineorslogan,tradecharacter,seal,andothermarks;andthelogotypeorsignature.Eachwillbeconsideredinsomedetailbelow.

      (1)Headlines

      Theheadlineordisplaylineappearsinmostadvertisementsforseveralreasons.First,itisanattention-gettingdevice;secondly,italsoselectsanaudiencebyappealingtoaspecificgroup,asthislinedose:Arthriticsreducepainfulinflammationandgetstomachupsetprotection.(Anadformedicine)Finally,itisthekeyfactoringettingpeopletoreadthebodycopy.

      (2)Illustration

      Inadditiontoheadlines,mostadvertisementscontainillustrations.Theillustrationliketheheadline,attractsattention,selectstheaudience,andstimulatesinterestinbodycopy.Whatismore,theillustrationcanbeinvaluableinshowingtheproductorproductuseandexplaininggraphicallycertainideasorsituationsthatarecumbersometoputintowords.Theoldsayingthatonepictureisworthathousandwordshasmuchmeritinit.

      (3)BodyCopy

      Tobeginwith,someexplanationofthewordcopyisnecessary.Thejobofbodycopyistostimulateinterestintheproductorserviceorideabeingadvertised,createsdesireforit,andurgeaction.Thisisabigtaskandcallsforrightwords.Althoughheadlinesandillustrationscleartheway,itisbodycopythatmustcarrytheburdenofthesellingjob.

      (4)Themelines,slogan,tradecharacters,sealandothermarks

      Anumberofdifferentmarksanddevicesmayappearinanadvertisement,includingthemelines,tradecharacters,andseals;Forexample,GeneralFoodsusesthecorporateidentitysymbolinallitsadvertisements.Theautomaticuseoftheseelementsintheadvertisement,however,doesnotdiminishtheirimportance.

      2.2Stylistics

      2.2.1TheNeedforStylistics

      WhentalkingabouttheEnglishlanguage,oneshouldnotbemisledintothinkingthatthelabelshouldinsomewayrefertoareadilyidentifiableobjectinreality,whichhecanisolateandexamineinaclassroomasatest-tubemixture,apieceofrockorapoem.ThelabeloftheEnglishlanguageisinfactacomplexofmanydifferent‘varieties’oflanguageinuseinallkindsofsituationsinmanypartsoftheworld.Naturally,allthesevarietieshavemuchmoreincommonthandifferentiatesthem-theyareallclearlyvarietiesofonelanguage,English.Butatthesametime,eachvarietyisdefinablydistinctfromalltheothers.

      AsaneducatedspeakerofEnglish,astudentofEnglishis,inasense,multilingual:forinthecourseofdevelopinghiscommandoflanguage,hehasencounteredalargenumberofvarieties,andtocertainextent,haslearnednowtousethem.Aparticularsocialsituationmakeshimrespondwithanappropriatevarietyoflanguage,thelanguageofconversation,thelanguageofnewspaperreporting,thelanguageofadvertisingandsoon.Butwhatisstylistics?

      2.2.2Definition

      Inthepast,menhavebeenintriguedwithstyleandmanystudentsofhumancommunicationhaveofferedtheirideasaboutit.Someareconcernedwithclarity-orlucidity,asAristotlecalledit.ForthisancientGreekcritic,itwasimportantthatthespeakerorwriternotonlyhasideasbutthathesaysthem‘intherightway’,awayanaudiencecanunderstandclearly.Healsosaidthatstyleshouldbeneitherabovenorbelowthedignityofthesubjectbutmustbe‘a(chǎn)ppropriate’.Anotherstudentoflanguageandhumanuseofit,theScottishwriterGeorgeCampbell,alsobelievedwords(theauthor’sdictionorwordchoice)werethefoundationofstyle.Hebelievedthebeststylecomesfromdictionthatthelistenernoticessolittlethatheisbarely‘consciousthatitisthroughthismediumdictionheseesintothespeaker’sthoughts’(ThesenseofstylebyGeoffreyN.Leech).Butunfortunately,theydonotclarifymattersgreatly,atleastfourcommonlyoccurringsensesofthetermstyleneedtobedistinguished.

      Stylemayrefertosomeorallofthelanguagehabitsofoneperson-aswhenpeopletalkofShakespeare’sstyle(orstyles),orthestyleofJamesJoyce.Moreoften,itreferstoaselectionoflanguagehabits,sharedbyagroupofpeopleatonetime,oroveraperiodoftime,aswhenwetalkaboutthestyleoftheAugustanpoets,thestyleofOldEnglish‘heroic’poetry,thestyleinwhichcivilservicesformsarewritten,orstylesofpublic-speaking.

      Styleisgivenamorerestrictedmeaningwhenitisusedinanevaluativesense,referringtotheeffectivenessofamodeofexpression.Thisisimpliedbysuchpopulardefinitionsofstyleas‘sayingtherightthinginthemosteffectiveway’oras‘goodmanners’.(InvestingEnglishstylebyDavidCrystal&DerekDavy)

      Partlyoverlappingwiththethreesensesjustoutlinedisthewidespreaduseofthewordstyletorefersolelytoliterarylanguage.Stylehaslongbeenassociatedprimarilyorexclusivelywithliterature,asacharacterized‘good’,‘effective’,or‘beautiful’writing.

      Oftheabovefoursenses,thefirstandsecondcomenearesttowhatismeantbystyle.Asastarting-point,theaimofstylisticsistoanalyzelanguagehabitswiththemainpurposeofidentifyingfromthegeneralmassoflinguisticfeaturescommontoEnglishasusedoneveryconceivableoccasion.Thosefeatureswhicharerestrictedtocertainkindsofsocialcontextaretoexplain,wherepossible,whysuchfeatureshavebeenused,asopposedtootheralternatives,andtoclassifythesefeaturesintocategoriesbaseduponaviewoftheirfunctioninthesocialcontext.

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